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Identify legislative and regulative requirements relative to information security for a bank

Identify legislative and regulative requirements relative to information security for a bank

A number of federal laws directly control the collection and … Read More...
Question 1 In order to properly manage expenses, the company investigates the amount of money spent by its sales office. The below numbers are related to six randomly selected receipts provided by the staff. $147 $124 $93 $158 $164 $171 a) Calculate ̅ , s2 and s for the expense data. b) Assume that the distribution of expenses is approximately normally distributed. Calculate estimates of tolerance intervals containing 68.26 percent, 95.44 percent, and 99.73 percent of all expenses by the sales office. c) If a member of the sales office submits a receipt with the amount of $190, should this expense be considered unusually high? Explain your answer. d) Compute and interpret the z-score for each of the six expenses. Question 2 A survey presents the results of a concept study for the taste of new food. Three hundred consumers between 18 and 49 years old were randomly selected. After sampling the new cuisine, each was asked to rate the quality of food. The rating was made on a scale from 1 to 5, with 5 representing “extremely agree with the quality” and with 1 representing “not at all agree with the new food.” The results obtained are given in Table 1. Estimate the probability that a randomly selected 18- to 49-year-old consumer a) Would give the phrase a rating of 4. b) Would give the phrase a rating of 3 or higher. c) Is in the 18–26 age group; the 27–35 age group; the 36–49 age group. d) Is a male who gives the phrase a rating of 5. e) Is a 36- to 49-year-old who gives the phrase a rating of 2. f) Estimate the probability that a randomly selected 18- to 49-year-old consumer is a 27- to 49-year-old who gives the phrase a rating of 3. g) Estimate the probability that a randomly selected 18- to 49-year-old consumer would 1) give the phrase a rating of 2 or 4 given that the consumer is male; 2) give the phrase a rating of 4 or 5 given that the consumer is female. Based on the results of parts 1 and 2, is the appeal of the phrase among males much different from the appeal of the phrase among females? Explain. h) Give the phrase a rating of 4 or 5, 1) given that the consumer is in the 18–26 age group; 2) given that the consumer is in the 27–35 age group; 3) given that the consumer is in the 36–49 age group. Table 1. Gender Age Group Rating Total Male Female 18-26 27-35 36-49 Extremely Appealing (5) 151 68 83 48 66 37 (4) 91 51 40 36 36 19 (3) 36 21 15 9 12 15 (2) 13 7 6 4 6 3 Not at all appealing(1) 9 3 6 4 3 2 Question 3 Based on the reports provided by the brokers, it is concluded that the annual returns on common stocks are approximately normally distributed with a mean of 17.8 percent and a standard deviation of 29.3 percent. On the other hand, the company reports that the annual returns on tax-free municipal bonds are approximately normally distributed with a mean return of 4.7 percent and a standard deviation of 10.2 percent. Find the probability that a randomly selected a) Common stock will give a positive yearly return. b) Tax-free municipal bond will give a positive yearly return. c) Common stock will give more than a 13 percent return. d) Tax-free municipal bond will give more than a 11.5 percent return. e) Common stock will give a loss of at least 7 percent. f) Tax-free municipal bond will give a loss of at least 10 percent. Question 4 Based on a sample of 176 workers, it is estimated that the mean amount of paid time lost during a three-month period was 1.4 days per employee with a standard deviation of 1.3 days. It is also estimated that the mean amount of unpaid time lost during a three-month period was 1.0 day per employee with a standard deviation of 1.8 days. We randomly select a sample of 100 workers. a) What is the probability that the average amount of paid time lost during a three-month period for the 100 blue-collar workers will exceed 1.5 days? Assume σ equals 1.3 days. b) What is the probability that the average amount of unpaid time lost during a three-month period for the 100 workers will exceed 1.5 days? Assume σ equals 1.8 days. c) A sample of 100 workers is randomly selected. Suppose the sample mean amount of unpaid time lost during a three-month period actually exceeds 1.5 days. Would it be reasonable to conclude that the mean amount of unpaid time lost has increased above the previously estimated 1.0 day? Explain. Assume σ still equals 1.8 days.

Question 1 In order to properly manage expenses, the company investigates the amount of money spent by its sales office. The below numbers are related to six randomly selected receipts provided by the staff. $147 $124 $93 $158 $164 $171 a) Calculate ̅ , s2 and s for the expense data. b) Assume that the distribution of expenses is approximately normally distributed. Calculate estimates of tolerance intervals containing 68.26 percent, 95.44 percent, and 99.73 percent of all expenses by the sales office. c) If a member of the sales office submits a receipt with the amount of $190, should this expense be considered unusually high? Explain your answer. d) Compute and interpret the z-score for each of the six expenses. Question 2 A survey presents the results of a concept study for the taste of new food. Three hundred consumers between 18 and 49 years old were randomly selected. After sampling the new cuisine, each was asked to rate the quality of food. The rating was made on a scale from 1 to 5, with 5 representing “extremely agree with the quality” and with 1 representing “not at all agree with the new food.” The results obtained are given in Table 1. Estimate the probability that a randomly selected 18- to 49-year-old consumer a) Would give the phrase a rating of 4. b) Would give the phrase a rating of 3 or higher. c) Is in the 18–26 age group; the 27–35 age group; the 36–49 age group. d) Is a male who gives the phrase a rating of 5. e) Is a 36- to 49-year-old who gives the phrase a rating of 2. f) Estimate the probability that a randomly selected 18- to 49-year-old consumer is a 27- to 49-year-old who gives the phrase a rating of 3. g) Estimate the probability that a randomly selected 18- to 49-year-old consumer would 1) give the phrase a rating of 2 or 4 given that the consumer is male; 2) give the phrase a rating of 4 or 5 given that the consumer is female. Based on the results of parts 1 and 2, is the appeal of the phrase among males much different from the appeal of the phrase among females? Explain. h) Give the phrase a rating of 4 or 5, 1) given that the consumer is in the 18–26 age group; 2) given that the consumer is in the 27–35 age group; 3) given that the consumer is in the 36–49 age group. Table 1. Gender Age Group Rating Total Male Female 18-26 27-35 36-49 Extremely Appealing (5) 151 68 83 48 66 37 (4) 91 51 40 36 36 19 (3) 36 21 15 9 12 15 (2) 13 7 6 4 6 3 Not at all appealing(1) 9 3 6 4 3 2 Question 3 Based on the reports provided by the brokers, it is concluded that the annual returns on common stocks are approximately normally distributed with a mean of 17.8 percent and a standard deviation of 29.3 percent. On the other hand, the company reports that the annual returns on tax-free municipal bonds are approximately normally distributed with a mean return of 4.7 percent and a standard deviation of 10.2 percent. Find the probability that a randomly selected a) Common stock will give a positive yearly return. b) Tax-free municipal bond will give a positive yearly return. c) Common stock will give more than a 13 percent return. d) Tax-free municipal bond will give more than a 11.5 percent return. e) Common stock will give a loss of at least 7 percent. f) Tax-free municipal bond will give a loss of at least 10 percent. Question 4 Based on a sample of 176 workers, it is estimated that the mean amount of paid time lost during a three-month period was 1.4 days per employee with a standard deviation of 1.3 days. It is also estimated that the mean amount of unpaid time lost during a three-month period was 1.0 day per employee with a standard deviation of 1.8 days. We randomly select a sample of 100 workers. a) What is the probability that the average amount of paid time lost during a three-month period for the 100 blue-collar workers will exceed 1.5 days? Assume σ equals 1.3 days. b) What is the probability that the average amount of unpaid time lost during a three-month period for the 100 workers will exceed 1.5 days? Assume σ equals 1.8 days. c) A sample of 100 workers is randomly selected. Suppose the sample mean amount of unpaid time lost during a three-month period actually exceeds 1.5 days. Would it be reasonable to conclude that the mean amount of unpaid time lost has increased above the previously estimated 1.0 day? Explain. Assume σ still equals 1.8 days.

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Managing the full range of the customer relationship involves two related objectives: (1) providing the organization and all customer-facing employees with a single, complete view of every customer at every touch and across all channels, and (2) providing _________________________. suppliers with a single, complete view of the internal workings of the company distributors with a single, complete view of the company and its extended channels customers with a single, complete view of the company and its extended channels customers, suppliers, and investors with a complete view of the internal workings of the company

Managing the full range of the customer relationship involves two related objectives: (1) providing the organization and all customer-facing employees with a single, complete view of every customer at every touch and across all channels, and (2) providing _________________________. suppliers with a single, complete view of the internal workings of the company distributors with a single, complete view of the company and its extended channels customers with a single, complete view of the company and its extended channels customers, suppliers, and investors with a complete view of the internal workings of the company

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Assignment 4 Due: 11:59pm on Wednesday, February 26, 2014 You will receive no credit for items you complete after the assignment is due. Grading Policy ± Two Forces Acting at a Point Two forces, and , act at a point. has a magnitude of 9.80 and is directed at an angle of 56.0 above the negative x axis in the second quadrant. has a magnitude of 5.20 and is directed at an angle of 54.1 below the negative x axis in the third quadrant. Part A What is the x component of the resultant force? Express your answer in newtons. Hint 1. How to approach the problem The resultant force is defined as the vector sum of all forces. Thus, its x component is the sum of the x components of the forces, and its y component is the sum of the y components of the forces. Hint 2. Find the x component of Find the x component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . F 1 F  2 F  1 N  F  2 N  F 1 F  1 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 Hint 2. Find the direction of is directed at an angle of 56.0 above the x axis in the second quadrant. When you calculate the components of , however, the direction of the force is commonly expressed in terms of the angle that the vector representing the force forms with the positive x axis. What is the angle that forms with the positive x axis? Select an answer from the following list, where 56.0 . ANSWER: ANSWER: Hint 3. Find the x component of Find the x component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , F 1 F 1  F  1 F  1  =   180 −  180 +  90 +  -5.48 N F 2 F  2 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Typesetting math: 100% and if . Hint 2. Find the direction of is directed at an angle of 54.1 below the x axis in the third quadrant. When you calculate the components of , however, the direction of the force is commonly expressed in terms of the angle that the vector representing the force forms with the positive x axis. What is the angle that forms with the positive x axis? Select an answer from the following list, where 54.1 . ANSWER: ANSWER: ANSWER: Correct Part B What is the y component of the resultant force? Express your answer in newtons. Ax < 0 Ay <  <  < 3 2 F 2 F 2  F 2 F  2  =   180 −   − 180 −90 −  -3.05 N -8.53 N Typesetting math: 100% Hint 1. How to approach the problem Follow the same procedure that you used in Part A to find the x component of the resultant force, though now calculate the y components of the two forces. Hint 2. Find the y component of Find the y component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . ANSWER: Hint 3. Find the y component of Find the y component of . Express your answer in newtons. Hint 1. Components of a vector F 1 F  1 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 8.12 N F 2 F  2 Typesetting math: 100% Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . ANSWER: ANSWER: Correct Part C What is the magnitude of the resultant force? Express your answer in newtons. Hint 1. Magnitude of a vector Consider a vector , whose components are and . The magnitude of is . A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 -4.21 N 3.91 N A Ax Ay A A = A + 2 x A2 y −−−−−−−  Typesetting math: 100% ANSWER: Correct Enhanced EOC: Problem 5.9 The figure shows acceleration-versus-force graphs for two objects pulled by rubber bands. You may want to review ( pages 127 - 130) . For help with math skills, you may want to review: Finding the Slope of a Line from a Graph Part A What is the mass ratio ? Express your answer using two significant figures. 9.38 N m1 m2 Typesetting math: 100% Hint 1. How to approach the problem How are the acceleration and the force on an object related to its mass? How is the slope of each line in the figure related to each object's mass? For each line, what two points are easy to measure accurately to determine the slope of line? How is the slope determined from the x and y coordinates of the two points you chose for each line? ANSWER: Correct A World-Class Sprinter World-class sprinters can accelerate out of the starting blocks with an acceleration that is nearly horizontal and has magnitude . Part A How much horizontal force must a sprinter of mass 54 exert on the starting blocks to produce this acceleration? Express your answer in newtons using two significant figures. Hint 1. Newton's 2nd law of motion According to Newton's 2nd law of motion, if a net external force acts on a body, the body accelerates, and the net force is equal to the mass of the body times the acceleration of the body: . ANSWER: = 0.36 m1 m2 15 m/s2 F kg Fnet m a Fnet = ma F = 810 N Typesetting math: 100% Correct Part B Which body exerts the force that propels the sprinter, the blocks or the sprinter? Hint 1. How to approach the question To start moving forward, sprinters push backward on the starting blocks with their feet. Newton's 3rd law tells you that the blocks exert a force on the sprinter of the same magnitude, but opposite in direction. ANSWER: Correct To start moving forward, sprinters push backward on the starting blocks with their feet. As a reaction, the blocks push forward on their feet with a force of the same magnitude. This external force accelerates the sprinter forward. Problem 5.12 The figure shows an acceleration-versus-force graph for a 600 object. the blocks the sprinter g Typesetting math: 100% Part A What must equal in order for the graph to be correct? Express your answer with the appropriate units. ANSWER: Correct Part B What must equal in order for the graph to be correct? Express your answer with the appropriate units. ANSWER: Correct Free-Body Diagrams Learning Goal: To gain practice drawing free-body diagrams Whenever you face a problem involving forces, always start with a free-body diagram. a1 a1 = 1.67 m s2 a2 a2 = 3.33 m s2 Typesetting math: 100% To draw a free-body diagram use the following steps: Isolate the object of interest. It is customary to represent the object of interest as a point 1. in your diagram. Identify all the forces acting on the object and their directions. Do not include forces acting on other objects in the problem. Also, do not include quantities, such as velocities and accelerations, that are not forces. 2. Draw the vectors for each force acting on your object of interest. When possible, the length of the force vectors you draw should represent the relative magnitudes of the forces acting on the object. 3. In most problems, after you have drawn the free-body diagrams, you will explicitly label your coordinate axes and directions. Always make the object of interest the origin of your coordinate system. Then you will need to divide the forces into x and y components, sum the x and y forces, and apply Newton's first or second law. In this problem you will only draw the free-body diagram. Suppose that you are asked to solve the following problem: Chadwick is pushing a piano across a level floor (see the figure). The piano can slide across the floor without friction. If Chadwick applies a horizontal force to the piano, what is the piano's acceleration? To solve this problem you should start by drawing a free-body diagram. Part A Determine the object of interest for the situation described in the problem introduction. Hint 1. How to approach the problem You should first think about the question you are trying to answer: What is the acceleration of the piano? The object of interest in this situation will be the object whose acceleration you are asked to find. ANSWER: Typesetting math: 100% Correct Part B Identify the forces acting on the object of interest. From the list below, select the forces that act on the piano. Check all that apply. ANSWER: Correct Now that you have identified the forces acting on the piano, you should draw the free-body diagram. Draw the length of your vectors to represent the relative magnitudes of the forces, but you don't need to worry about the exact scale. You won't have the exact value of all of the forces until you finish solving the problem. To maximize your learning, you should draw the diagram yourself before looking at the choices in the next part. You are on your honor to do so. Part C For this situation you should draw a free-body diagram for the floor. Chadwick. the piano. acceleration of the piano gravitational force acting on the piano (piano's weight) speed of the piano gravitational force acting on Chadwick (Chadwick's weight) force of the floor on the piano (normal force) force of the piano on the floor force of Chadwick on the piano force of the piano pushing on Chadwick Typesetting math: 100% Select the choice that best matches the free-body diagram you have drawn for the piano. Hint 1. Determine the directions and relative magnitudes of the forces Which of the following statements best describes the correct directions and relative magnitudes of the forces involved? ANSWER: ANSWER: The normal force and weight are both upward and the pushing force is horizontal. The normal force and weight are both downward and the pushing force is horizontal. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force has a greater magnitude than the weight. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force and weight have the same magnitude. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force has a smaller magnitude than the weight. Typesetting math: 100% Typesetting math: 100% Correct If you were actually going to solve this problem rather than just draw the free-body diagram, you would need to define the coordinate system. Choose the position of the piano as the origin. In this case it is simplest to let the y axis point vertically upward and the x axis point horizontally to the right, in the direction of the acceleration. Chadwick now needs to push the piano up a ramp and into a moving van. at left. The ramp is frictionless. Is Chadwick strong enough to push the piano up the ramp alone or must he get help? To solve this problem you should start by drawing a free-body diagram. Part D Determine the object of interest for this situation. ANSWER: Correct Now draw the free-body diagram of the piano in this new situation. Follow the same sequence of steps that you followed for the first situation. Again draw your diagram before you look at the choices For this situation, you should draw a free-body diagram for the ramp. Chadwick. the piano. Typesetting math: 100% below. Part E Which diagram accurately represents the free-body diagram for the piano? ANSWER: Typesetting math: 100% Typesetting math: 100% Correct In working problems like this one that involve an incline, it is most often easiest to select a coordinate system that is not vertical and horizontal. Instead, choose the x axis so that it is parallel to the incline and choose the y axis so that it is perpendicular to the incline. Problem 5.18 The figure shows two of the three forces acting on an object in equilibrium. Part A Redraw the diagram, showing all three forces. Label the third force . Draw the force vector starting at the black dot. The location and orientation of the vector will be graded. The length of the vector will not be graded. ANSWER: F  3 Typesetting math: 100% Correct Problem 5.25 An ice hockey puck glides across frictionless ice. Part A Identify all forces acting on the object. ANSWER: Typesetting math: 100% Correct Part B Draw a free-body diagram of the ice hockey puck. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Normal force ; Gravity Normal force ; Gravity ; Kinetic friction Tension ; Weight Thrust ; Gravity n F  G n F  G fk  T  w Fthrust  F  G Typesetting math: 100% Correct Problem 5.26 Your physics textbook is sliding to the right across the table. Part A Identify all forces acting on the object. ANSWER: Typesetting math: 100% Correct Part B Draw a free-body diagram of the object. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Weight ; Kinetic friction Thrust ; Kinetic friction Normal force ; Weight ; Kinetic friction Normal force ; Weight ; Static friction w fk  Fthrust  fk  n w fk  n w fs  Typesetting math: 100% Correct Enhanced EOC: Problem 5.35 A constant force is applied to an object, causing the object to accelerate at 13 . You may want to review ( pages 127 - 130) . For help with math skills, you may want to review: Proportions I Proportions II Part A m/s2 Typesetting math: 100% What will the acceleration be if the force is halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the force is halved but the mass remains the same? ANSWER: Correct Part B What will the acceleration be if the object's mass is halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the mass is halved but the force remains the same? ANSWER: Correct Part C a = 6.50 m s2 a = 26.0 m s2 Typesetting math: 100% What will the acceleration be if the force and the object's mass are both halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if both the force and mass are reduced by a factor of two? ANSWER: Correct Part D What will the acceleration be if the force is halved and the object's mass is doubled? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the force is decreased by a factor of two and the mass is increased by a factor of two? Check your answer by choosing numerical values of the force and mass, and then halve the force and double the mass. ANSWER: Correct a = 13.0 m s2 a = 3.25 m s2 Typesetting math: 100% Problem 5.44 A rocket is being launched straight up. Air resistance is not negligible. Part A Which of the following is the correct motion diagram for the situation described above? Enter the letter that corresponds with the best answer. ANSWER: Correct Part B Draw a free-body diagram. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Typesetting math: 100% Correct Score Summary: Your score on this assignment is 99.7%. You received 63.82 out of a possible total of 64 points. Typesetting math: 100%

Assignment 4 Due: 11:59pm on Wednesday, February 26, 2014 You will receive no credit for items you complete after the assignment is due. Grading Policy ± Two Forces Acting at a Point Two forces, and , act at a point. has a magnitude of 9.80 and is directed at an angle of 56.0 above the negative x axis in the second quadrant. has a magnitude of 5.20 and is directed at an angle of 54.1 below the negative x axis in the third quadrant. Part A What is the x component of the resultant force? Express your answer in newtons. Hint 1. How to approach the problem The resultant force is defined as the vector sum of all forces. Thus, its x component is the sum of the x components of the forces, and its y component is the sum of the y components of the forces. Hint 2. Find the x component of Find the x component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . F 1 F  2 F  1 N  F  2 N  F 1 F  1 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 Hint 2. Find the direction of is directed at an angle of 56.0 above the x axis in the second quadrant. When you calculate the components of , however, the direction of the force is commonly expressed in terms of the angle that the vector representing the force forms with the positive x axis. What is the angle that forms with the positive x axis? Select an answer from the following list, where 56.0 . ANSWER: ANSWER: Hint 3. Find the x component of Find the x component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , F 1 F 1  F  1 F  1  =   180 −  180 +  90 +  -5.48 N F 2 F  2 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Typesetting math: 100% and if . Hint 2. Find the direction of is directed at an angle of 54.1 below the x axis in the third quadrant. When you calculate the components of , however, the direction of the force is commonly expressed in terms of the angle that the vector representing the force forms with the positive x axis. What is the angle that forms with the positive x axis? Select an answer from the following list, where 54.1 . ANSWER: ANSWER: ANSWER: Correct Part B What is the y component of the resultant force? Express your answer in newtons. Ax < 0 Ay <  <  < 3 2 F 2 F 2  F 2 F  2  =   180 −   − 180 −90 −  -3.05 N -8.53 N Typesetting math: 100% Hint 1. How to approach the problem Follow the same procedure that you used in Part A to find the x component of the resultant force, though now calculate the y components of the two forces. Hint 2. Find the y component of Find the y component of . Express your answer in newtons. Hint 1. Components of a vector Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . ANSWER: Hint 3. Find the y component of Find the y component of . Express your answer in newtons. Hint 1. Components of a vector F 1 F  1 A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 8.12 N F 2 F  2 Typesetting math: 100% Consider a vector that forms an angle with the positive x axis. The x and y components of are, respectively, and , where is the magnitude of the vector. Note that and if , and if . ANSWER: ANSWER: Correct Part C What is the magnitude of the resultant force? Express your answer in newtons. Hint 1. Magnitude of a vector Consider a vector , whose components are and . The magnitude of is . A  A Ax = Acos  Ay = Asin  A Ax < 0 Ay > 0  <  <  2 Ax < 0 Ay < 0  <  < 3 2 -4.21 N 3.91 N A Ax Ay A A = A + 2 x A2 y −−−−−−−  Typesetting math: 100% ANSWER: Correct Enhanced EOC: Problem 5.9 The figure shows acceleration-versus-force graphs for two objects pulled by rubber bands. You may want to review ( pages 127 - 130) . For help with math skills, you may want to review: Finding the Slope of a Line from a Graph Part A What is the mass ratio ? Express your answer using two significant figures. 9.38 N m1 m2 Typesetting math: 100% Hint 1. How to approach the problem How are the acceleration and the force on an object related to its mass? How is the slope of each line in the figure related to each object's mass? For each line, what two points are easy to measure accurately to determine the slope of line? How is the slope determined from the x and y coordinates of the two points you chose for each line? ANSWER: Correct A World-Class Sprinter World-class sprinters can accelerate out of the starting blocks with an acceleration that is nearly horizontal and has magnitude . Part A How much horizontal force must a sprinter of mass 54 exert on the starting blocks to produce this acceleration? Express your answer in newtons using two significant figures. Hint 1. Newton's 2nd law of motion According to Newton's 2nd law of motion, if a net external force acts on a body, the body accelerates, and the net force is equal to the mass of the body times the acceleration of the body: . ANSWER: = 0.36 m1 m2 15 m/s2 F kg Fnet m a Fnet = ma F = 810 N Typesetting math: 100% Correct Part B Which body exerts the force that propels the sprinter, the blocks or the sprinter? Hint 1. How to approach the question To start moving forward, sprinters push backward on the starting blocks with their feet. Newton's 3rd law tells you that the blocks exert a force on the sprinter of the same magnitude, but opposite in direction. ANSWER: Correct To start moving forward, sprinters push backward on the starting blocks with their feet. As a reaction, the blocks push forward on their feet with a force of the same magnitude. This external force accelerates the sprinter forward. Problem 5.12 The figure shows an acceleration-versus-force graph for a 600 object. the blocks the sprinter g Typesetting math: 100% Part A What must equal in order for the graph to be correct? Express your answer with the appropriate units. ANSWER: Correct Part B What must equal in order for the graph to be correct? Express your answer with the appropriate units. ANSWER: Correct Free-Body Diagrams Learning Goal: To gain practice drawing free-body diagrams Whenever you face a problem involving forces, always start with a free-body diagram. a1 a1 = 1.67 m s2 a2 a2 = 3.33 m s2 Typesetting math: 100% To draw a free-body diagram use the following steps: Isolate the object of interest. It is customary to represent the object of interest as a point 1. in your diagram. Identify all the forces acting on the object and their directions. Do not include forces acting on other objects in the problem. Also, do not include quantities, such as velocities and accelerations, that are not forces. 2. Draw the vectors for each force acting on your object of interest. When possible, the length of the force vectors you draw should represent the relative magnitudes of the forces acting on the object. 3. In most problems, after you have drawn the free-body diagrams, you will explicitly label your coordinate axes and directions. Always make the object of interest the origin of your coordinate system. Then you will need to divide the forces into x and y components, sum the x and y forces, and apply Newton's first or second law. In this problem you will only draw the free-body diagram. Suppose that you are asked to solve the following problem: Chadwick is pushing a piano across a level floor (see the figure). The piano can slide across the floor without friction. If Chadwick applies a horizontal force to the piano, what is the piano's acceleration? To solve this problem you should start by drawing a free-body diagram. Part A Determine the object of interest for the situation described in the problem introduction. Hint 1. How to approach the problem You should first think about the question you are trying to answer: What is the acceleration of the piano? The object of interest in this situation will be the object whose acceleration you are asked to find. ANSWER: Typesetting math: 100% Correct Part B Identify the forces acting on the object of interest. From the list below, select the forces that act on the piano. Check all that apply. ANSWER: Correct Now that you have identified the forces acting on the piano, you should draw the free-body diagram. Draw the length of your vectors to represent the relative magnitudes of the forces, but you don't need to worry about the exact scale. You won't have the exact value of all of the forces until you finish solving the problem. To maximize your learning, you should draw the diagram yourself before looking at the choices in the next part. You are on your honor to do so. Part C For this situation you should draw a free-body diagram for the floor. Chadwick. the piano. acceleration of the piano gravitational force acting on the piano (piano's weight) speed of the piano gravitational force acting on Chadwick (Chadwick's weight) force of the floor on the piano (normal force) force of the piano on the floor force of Chadwick on the piano force of the piano pushing on Chadwick Typesetting math: 100% Select the choice that best matches the free-body diagram you have drawn for the piano. Hint 1. Determine the directions and relative magnitudes of the forces Which of the following statements best describes the correct directions and relative magnitudes of the forces involved? ANSWER: ANSWER: The normal force and weight are both upward and the pushing force is horizontal. The normal force and weight are both downward and the pushing force is horizontal. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force has a greater magnitude than the weight. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force and weight have the same magnitude. The normal force is upward, the weight is downward, and the pushing force is horizontal. The normal force has a smaller magnitude than the weight. Typesetting math: 100% Typesetting math: 100% Correct If you were actually going to solve this problem rather than just draw the free-body diagram, you would need to define the coordinate system. Choose the position of the piano as the origin. In this case it is simplest to let the y axis point vertically upward and the x axis point horizontally to the right, in the direction of the acceleration. Chadwick now needs to push the piano up a ramp and into a moving van. at left. The ramp is frictionless. Is Chadwick strong enough to push the piano up the ramp alone or must he get help? To solve this problem you should start by drawing a free-body diagram. Part D Determine the object of interest for this situation. ANSWER: Correct Now draw the free-body diagram of the piano in this new situation. Follow the same sequence of steps that you followed for the first situation. Again draw your diagram before you look at the choices For this situation, you should draw a free-body diagram for the ramp. Chadwick. the piano. Typesetting math: 100% below. Part E Which diagram accurately represents the free-body diagram for the piano? ANSWER: Typesetting math: 100% Typesetting math: 100% Correct In working problems like this one that involve an incline, it is most often easiest to select a coordinate system that is not vertical and horizontal. Instead, choose the x axis so that it is parallel to the incline and choose the y axis so that it is perpendicular to the incline. Problem 5.18 The figure shows two of the three forces acting on an object in equilibrium. Part A Redraw the diagram, showing all three forces. Label the third force . Draw the force vector starting at the black dot. The location and orientation of the vector will be graded. The length of the vector will not be graded. ANSWER: F  3 Typesetting math: 100% Correct Problem 5.25 An ice hockey puck glides across frictionless ice. Part A Identify all forces acting on the object. ANSWER: Typesetting math: 100% Correct Part B Draw a free-body diagram of the ice hockey puck. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Normal force ; Gravity Normal force ; Gravity ; Kinetic friction Tension ; Weight Thrust ; Gravity n F  G n F  G fk  T  w Fthrust  F  G Typesetting math: 100% Correct Problem 5.26 Your physics textbook is sliding to the right across the table. Part A Identify all forces acting on the object. ANSWER: Typesetting math: 100% Correct Part B Draw a free-body diagram of the object. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Weight ; Kinetic friction Thrust ; Kinetic friction Normal force ; Weight ; Kinetic friction Normal force ; Weight ; Static friction w fk  Fthrust  fk  n w fk  n w fs  Typesetting math: 100% Correct Enhanced EOC: Problem 5.35 A constant force is applied to an object, causing the object to accelerate at 13 . You may want to review ( pages 127 - 130) . For help with math skills, you may want to review: Proportions I Proportions II Part A m/s2 Typesetting math: 100% What will the acceleration be if the force is halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the force is halved but the mass remains the same? ANSWER: Correct Part B What will the acceleration be if the object's mass is halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the mass is halved but the force remains the same? ANSWER: Correct Part C a = 6.50 m s2 a = 26.0 m s2 Typesetting math: 100% What will the acceleration be if the force and the object's mass are both halved? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if both the force and mass are reduced by a factor of two? ANSWER: Correct Part D What will the acceleration be if the force is halved and the object's mass is doubled? Express your answer with the appropriate units. Hint 1. How to approach the problem How is the acceleration of an object related to its mass and the force applied? Expressing the acceleration in terms of the force and mass, what happens to the acceleration if the force is decreased by a factor of two and the mass is increased by a factor of two? Check your answer by choosing numerical values of the force and mass, and then halve the force and double the mass. ANSWER: Correct a = 13.0 m s2 a = 3.25 m s2 Typesetting math: 100% Problem 5.44 A rocket is being launched straight up. Air resistance is not negligible. Part A Which of the following is the correct motion diagram for the situation described above? Enter the letter that corresponds with the best answer. ANSWER: Correct Part B Draw a free-body diagram. Draw the force vectors with their tails at the dot. The orientation of your vectors will be graded. The exact length of your vectors will not be graded but the relative length of one to the other will be graded. ANSWER: Typesetting math: 100% Correct Score Summary: Your score on this assignment is 99.7%. You received 63.82 out of a possible total of 64 points. Typesetting math: 100%

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Question 1 1. When the rules of perspective are applied in order to represent unusual points of view, we call this ________. a. foreshortening b. chiaroscuro c. convergence d. highlight e. overlapping 10 points Question 2 1. A flat work of art has two dimensions: ________ and width. a. breadth b. depth c. size d. mass e. height 10 points Question 3 1. Méret Oppenheim was part of an art movement that rejected rational, conscious thought. Her fur-lined teacup and saucer, Object, conjures an unexpected and illogical sensation for the viewer by using ________ texture. a. smooth b. familiar c. expected d. subversive e. silky 10 points Question 4 1. In James Allen’s etching The Connectors, an image of workers erecting the Empire State Building, the artist created a feeling of great height by using ________ line to lead the viewer’s eye diagonally downward. a. horizontal b. communicative c. regular d. directional e. implied 10 points Question 5 1. Because it is three-dimensional, a form has these three spatial measurements: height, width, and ________. a. mass b. length c. size d. depth e. strength 10 points Question 6 1. The ancient Egyptian depiction of the journey of the Sun god Re (0.1) was painted on ________. a. stone b. a coffin c. the wall of a tomb d. copper e. a vase 10 points Question 7 1. The area covered by a pattern is called the ________. a. field b. motif c. background d. size e. foreground 10 points Question 8 1. ________ balance is achieved when two halves of a composition are not mirror images of each other. a. unified b. radial c. varied d. asymmetrical e. symmetrical 10 points Question 9 1. In Audrey Flack’s Marilyn Monroe, the burning candle, the flower, and the hourglass are typical of a kind of symbolism in art that reminds us of death. This kind of symbolism is known as ________. a. vanitas b. feminism c. abstract d. eternal e. none of the other answers 10 points Question 10 1. Tibetan Buddhist monks create colored sand images with a radial design. This representation of the universe is called a ________. a. prayer wheel b. rotunda c. mandala d. prayer flag e. lotus 10 points Question 11 1. In The School of Athens, Raphael focused our attention on two Greek philosophers positioned in the center of the work. They are ________ and ________. a. Plato . . . Aristotle b. Aristotle . . . Socrates c. Diogenes . . . Socrates d. Diogenes . . . Aristotle e. Socrates . . . Plato 10 points Question 12 1. In his Obey campaign poster Shepard Fairey used a striking contrast between positive and ________ shapes to attract the attention of the public. a. figure–ground reversal b. implied c. geometric d. organic e. negative 10 points Question 13 1. The Italian architect Andrea Palladio created a radial design in his plan for the Villa Capra. This building is also called the ________. a. Colosseum b. Pantheon c. Villa Rotonda d. Villa Caprese e. Parthenon 10 points Question 14 1. The French artist Georges Seurat employed a new technique to create a jewel-like diffusion of light and vibration of color in his work The Circus. This type of painting, made up of small dots of color, is known as ________. a. Fauvism b. Luminism c. pointillism d. Pop art e. Impressionism 10 points Question 15 1. The rarity of an artwork, and its value, are often closely related. True False 10 points Question 16 1. By orienting lines so that they attract attention to a specific area of a work of art the artist is using ________. a. actual line b. implied line c. directional line d. measured line e. chaotic line 10 points Question 17 1. Kindred Spirits by Asher Brown Durand uses the effects of ________ to give a sense of the vastness of the American landscape. a. pencil drawing b. geometry c. atmospheric perspective d. foreshortening e. color 10 points Question 18 1. The opposite of emphasis is ________. a. subordination b. tone c. focal point d. color e. proportion 10 points Question 19 1. Gustav Klimt’s portrait of Adele Bloch-Bauer was typical of his portraits of the wives and sisters of ________. a. foreign tourists b. Nazi rulers c. German scientists d. Austrian businessmen e. important politicians 10 points Question 20 1. The combination of jarring vertical and diagonal lines in Vincent van Gogh’s The Bedroom creates an atmosphere of ________. a. happiness b. rest c. anxiety d. expectation e. calm 10 points Question 21 1. If the clothing of the saint was the only light area in The Funeral of St. Bonaventure, the viewer’s eye would not be easily drawn to any other areas of the composition. True False 10 points Question 22 1. Miriam Schapiro’s collage Baby Blocks combines two different kinds of shape. ________ is the term used to describe a shape that suggests the natural world, while the term geometric suggests mathematical regularity. a. conceptual b. implied c. organic d. regular e. artificial 10 points Question 23 1. Any of the ________ of art can help focus our interest on specific areas of a work of art. a. styles b. elements c. periods d. tones e. themes 10 points Question 24 1. An artwork can be described as non-objective if its subject matter is ________. a. three-dimensional b. difficult c. unrecognizable d. recognizable e. animals 10 points Question 25 1. Match the methodological approach with its definition: biographical analysis feminist analysis formal analysis contextual analysis 2. iconographical analysis a. analyzes the use of formal elements in a work. b. considers the role of women in an artwork c. interprets objects and figures in the artwork as symbols d. considers the artist’s personal experiences e. considers the religious, political, and social environment in which the artwork was made and viewed 10 points Question 26 1. Alexander Calder invented the ________, a type of suspended, balanced sculpture that uses air currents to power its movement. a. mime b. relief c. mobile d. stabile e. zoetrope 10 points Question 27 1. Louise Nevelson’s work White Vertical Water is a realistic depiction of fish in a river. True False 10 points Question 28 1. William G. Wall’s Fort Edward was published as a ________. a. print b. watercolor c. photograph d. oil painting e. newspaper article 10 points Question 29 1. Artemisia Gentileschi worked during this stylistic and historical period. a. Surrealism b. Impressionism c. Baroque d. Renaissance e. Pop art 10 points Question 30 1. The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________. a. highlight b. core shadow c. perspective d. hatching e. palette 10 points Question 31 1. The artist Canaletto, in his drawing of the Ducal Palace in Venice, created an impression of three dimensions by using line to show the division between ________. a. planes b. two figures c. colors d. time periods e. mountains 10 points Question 32 1. Marisol’s work Father Damien was created to memorialize the heroism of a priest who lost his life helping the victims of leprosy. This sculpture stands in front of the State Capitol Building in the U.S. State of ________. a. Arizona b. Pennsylvania c. Utah d. Tennessee e. Hawaii 10 points Question 33 1. The medium of Marc Quinn’s Self is: a. clay b. the artist’s toenail clippings c. wood d. real human hair e. the artist’s own blood 10 points Question 34 1. The work now known as the Watts Towers was in fact given a different title by its creator. That title was ________. a. Nuestro Pueblo b. LA Towers c. Found Objects d. it had no title originally e. Skyscrapers 1 and 2 10 points Question 35 1. Why do we presume that the head of a woman from Benin (0.18) was made for someone wealthy? a. because it was made to be shown in a museum b. because it strongly resembles the Queen c. because it has a price carved on the back d. because it was made from rare ivory e. it was definitely not made for anyone wealthy 10 points Question 36 1. Shahzia Sikander’s art is best described as Abstract Expressionism Naturalist sculpture Pop Art Miniature Painting 10 points Question 37 1. A sunset is a work of art. True False 10 points Question 38 1. A mens’ urinal became a well known artwork in the 20th century. True False 10 points Question 39 1. Which artist has torn out people’s lawns to design and build edible gardens across the country? Andrea Zittel Fritz Haeg Ruben Ortiz Torres Mark Newport

Question 1 1. When the rules of perspective are applied in order to represent unusual points of view, we call this ________. a. foreshortening b. chiaroscuro c. convergence d. highlight e. overlapping 10 points Question 2 1. A flat work of art has two dimensions: ________ and width. a. breadth b. depth c. size d. mass e. height 10 points Question 3 1. Méret Oppenheim was part of an art movement that rejected rational, conscious thought. Her fur-lined teacup and saucer, Object, conjures an unexpected and illogical sensation for the viewer by using ________ texture. a. smooth b. familiar c. expected d. subversive e. silky 10 points Question 4 1. In James Allen’s etching The Connectors, an image of workers erecting the Empire State Building, the artist created a feeling of great height by using ________ line to lead the viewer’s eye diagonally downward. a. horizontal b. communicative c. regular d. directional e. implied 10 points Question 5 1. Because it is three-dimensional, a form has these three spatial measurements: height, width, and ________. a. mass b. length c. size d. depth e. strength 10 points Question 6 1. The ancient Egyptian depiction of the journey of the Sun god Re (0.1) was painted on ________. a. stone b. a coffin c. the wall of a tomb d. copper e. a vase 10 points Question 7 1. The area covered by a pattern is called the ________. a. field b. motif c. background d. size e. foreground 10 points Question 8 1. ________ balance is achieved when two halves of a composition are not mirror images of each other. a. unified b. radial c. varied d. asymmetrical e. symmetrical 10 points Question 9 1. In Audrey Flack’s Marilyn Monroe, the burning candle, the flower, and the hourglass are typical of a kind of symbolism in art that reminds us of death. This kind of symbolism is known as ________. a. vanitas b. feminism c. abstract d. eternal e. none of the other answers 10 points Question 10 1. Tibetan Buddhist monks create colored sand images with a radial design. This representation of the universe is called a ________. a. prayer wheel b. rotunda c. mandala d. prayer flag e. lotus 10 points Question 11 1. In The School of Athens, Raphael focused our attention on two Greek philosophers positioned in the center of the work. They are ________ and ________. a. Plato . . . Aristotle b. Aristotle . . . Socrates c. Diogenes . . . Socrates d. Diogenes . . . Aristotle e. Socrates . . . Plato 10 points Question 12 1. In his Obey campaign poster Shepard Fairey used a striking contrast between positive and ________ shapes to attract the attention of the public. a. figure–ground reversal b. implied c. geometric d. organic e. negative 10 points Question 13 1. The Italian architect Andrea Palladio created a radial design in his plan for the Villa Capra. This building is also called the ________. a. Colosseum b. Pantheon c. Villa Rotonda d. Villa Caprese e. Parthenon 10 points Question 14 1. The French artist Georges Seurat employed a new technique to create a jewel-like diffusion of light and vibration of color in his work The Circus. This type of painting, made up of small dots of color, is known as ________. a. Fauvism b. Luminism c. pointillism d. Pop art e. Impressionism 10 points Question 15 1. The rarity of an artwork, and its value, are often closely related. True False 10 points Question 16 1. By orienting lines so that they attract attention to a specific area of a work of art the artist is using ________. a. actual line b. implied line c. directional line d. measured line e. chaotic line 10 points Question 17 1. Kindred Spirits by Asher Brown Durand uses the effects of ________ to give a sense of the vastness of the American landscape. a. pencil drawing b. geometry c. atmospheric perspective d. foreshortening e. color 10 points Question 18 1. The opposite of emphasis is ________. a. subordination b. tone c. focal point d. color e. proportion 10 points Question 19 1. Gustav Klimt’s portrait of Adele Bloch-Bauer was typical of his portraits of the wives and sisters of ________. a. foreign tourists b. Nazi rulers c. German scientists d. Austrian businessmen e. important politicians 10 points Question 20 1. The combination of jarring vertical and diagonal lines in Vincent van Gogh’s The Bedroom creates an atmosphere of ________. a. happiness b. rest c. anxiety d. expectation e. calm 10 points Question 21 1. If the clothing of the saint was the only light area in The Funeral of St. Bonaventure, the viewer’s eye would not be easily drawn to any other areas of the composition. True False 10 points Question 22 1. Miriam Schapiro’s collage Baby Blocks combines two different kinds of shape. ________ is the term used to describe a shape that suggests the natural world, while the term geometric suggests mathematical regularity. a. conceptual b. implied c. organic d. regular e. artificial 10 points Question 23 1. Any of the ________ of art can help focus our interest on specific areas of a work of art. a. styles b. elements c. periods d. tones e. themes 10 points Question 24 1. An artwork can be described as non-objective if its subject matter is ________. a. three-dimensional b. difficult c. unrecognizable d. recognizable e. animals 10 points Question 25 1. Match the methodological approach with its definition: biographical analysis feminist analysis formal analysis contextual analysis 2. iconographical analysis a. analyzes the use of formal elements in a work. b. considers the role of women in an artwork c. interprets objects and figures in the artwork as symbols d. considers the artist’s personal experiences e. considers the religious, political, and social environment in which the artwork was made and viewed 10 points Question 26 1. Alexander Calder invented the ________, a type of suspended, balanced sculpture that uses air currents to power its movement. a. mime b. relief c. mobile d. stabile e. zoetrope 10 points Question 27 1. Louise Nevelson’s work White Vertical Water is a realistic depiction of fish in a river. True False 10 points Question 28 1. William G. Wall’s Fort Edward was published as a ________. a. print b. watercolor c. photograph d. oil painting e. newspaper article 10 points Question 29 1. Artemisia Gentileschi worked during this stylistic and historical period. a. Surrealism b. Impressionism c. Baroque d. Renaissance e. Pop art 10 points Question 30 1. The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________. a. highlight b. core shadow c. perspective d. hatching e. palette 10 points Question 31 1. The artist Canaletto, in his drawing of the Ducal Palace in Venice, created an impression of three dimensions by using line to show the division between ________. a. planes b. two figures c. colors d. time periods e. mountains 10 points Question 32 1. Marisol’s work Father Damien was created to memorialize the heroism of a priest who lost his life helping the victims of leprosy. This sculpture stands in front of the State Capitol Building in the U.S. State of ________. a. Arizona b. Pennsylvania c. Utah d. Tennessee e. Hawaii 10 points Question 33 1. The medium of Marc Quinn’s Self is: a. clay b. the artist’s toenail clippings c. wood d. real human hair e. the artist’s own blood 10 points Question 34 1. The work now known as the Watts Towers was in fact given a different title by its creator. That title was ________. a. Nuestro Pueblo b. LA Towers c. Found Objects d. it had no title originally e. Skyscrapers 1 and 2 10 points Question 35 1. Why do we presume that the head of a woman from Benin (0.18) was made for someone wealthy? a. because it was made to be shown in a museum b. because it strongly resembles the Queen c. because it has a price carved on the back d. because it was made from rare ivory e. it was definitely not made for anyone wealthy 10 points Question 36 1. Shahzia Sikander’s art is best described as Abstract Expressionism Naturalist sculpture Pop Art Miniature Painting 10 points Question 37 1. A sunset is a work of art. True False 10 points Question 38 1. A mens’ urinal became a well known artwork in the 20th century. True False 10 points Question 39 1. Which artist has torn out people’s lawns to design and build edible gardens across the country? Andrea Zittel Fritz Haeg Ruben Ortiz Torres Mark Newport

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3. Career management is the lifelong process of investing resources to achieve your career goals. As such, one needs to be responsible for his or her career in the present and in the future. What’s the major issue facing this industry today? How will you handle it from a career development and career management perspective?

3. Career management is the lifelong process of investing resources to achieve your career goals. As such, one needs to be responsible for his or her career in the present and in the future. What’s the major issue facing this industry today? How will you handle it from a career development and career management perspective?

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Develop a any small project plan that include the following: 1. Name of your proposed project – a business related project 2. Description of the project 3. Goals and objectives 4. Scope statement that includes requirements/deliverable, constraints and assumptions 5. Work breakdown Structure (25 items) 6. Duration of each of the tasks 7. Draw a network diagram 8. Determine the project duration 9. Identify resources, hourly rate and assigned task 10. Identify total cost 11. Identify three to five risks on the project and develop a risk response plan for each one. 12. Develop a quality standard.

Develop a any small project plan that include the following: 1. Name of your proposed project – a business related project 2. Description of the project 3. Goals and objectives 4. Scope statement that includes requirements/deliverable, constraints and assumptions 5. Work breakdown Structure (25 items) 6. Duration of each of the tasks 7. Draw a network diagram 8. Determine the project duration 9. Identify resources, hourly rate and assigned task 10. Identify total cost 11. Identify three to five risks on the project and develop a risk response plan for each one. 12. Develop a quality standard.

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Course: PHYS 5426 — Quantum Statistical Physics Assignment #1 Instructor: Gennady Y. Chitov Date Assigned: January 15, 2014 Due Date: January 29, 2014 Problem 1. Prove [a; f(a†)] = @f(a†) @a† (1) [a†; f(a)] = −@f(a) @a (2) for arbitrary function f of operator which admits a series expansion. The Bose creation/ annihilation operators satisfy the standard commutation relations [a; a†] ≡ aa† − a†a = 1 (3) Hint: From Eqs.(1,2) one can figure out the corresponding commutation relations for the powers of creation/annihilation operators and then prove them by the method of mathematical induction. Note that for an arbitrary operator Aˆ: @A^n @A^ = nAˆn−1. Problem 2. In the presence of a constant external force acting on a one-dimensional oscillating particle its Hamiltonian becomes that of the so-called displaced oscillator, and the Schr¨odinger equation ˆH (q) = E (q) of the problem (cf. lecture notes) can be written in terms of dimensionless variables as ( − 1 2 d2 d2 + 1 2 2 − √ 2  ) () = ” () ; (4) where q = √ ~ m! and E = ~!”. a). Write the Schr¨odinger equation (4) in terms of the creation/annihilation operators of the harmonic oscillator ( = 0)  = √1 2 (a + a†) (5) d d = √1 2 (a − a†) (6) 1 Via a linear transformation to the new creation/annihilation operators ˜a†; ˜a preserving the bosonic commutation relations for ˜a†; ˜a map the problem (4) of the displaced oscillator onto that of a simple harmonic oscillator with new operators (˜a†; ˜a). b). Find the spectrum (eigenvalues) ” (E) of the displaced oscillator. c). Write the normalized eigenstates |n⟩ of the displaced Hamiltonian (4) via a† and the vacuum state |Θ◦⟩ of the new operators, i.e. ˜a|Θ◦⟩ = 0 (7) d). As follows from the completeness of the oscillator’s eigenstates, the vacuum state of the displaced oscillator |Θ◦⟩ can be related to the simple oscillator’s vacuum |0⟩ (i.e., a|0⟩ = 0) as |Θ◦⟩ = Ω(a†)|0⟩ (8) Find (up to a normalization factor) the operator function Ω(a†) relating two vacua. Hint: in working out Eqs.(7,8), employ Eqs.(1,2). Problem 3. Prove from the standard commutation relations ([ai; a † j ]∓ = ij , etc) that ⟨0|aiaja † ka † l |0⟩ = jkil ± ikjl (9) the sign depending on the statistics. Also calculate the vacuum expectation value ⟨0|ahaiaja † ka † l a† m |0⟩. Problem 4. In the formalism of second quantization the two-particle interaction term of the Hamiltonian for spinless fermions is given by ˆ V = 1 2 ∫ ∫ dxdy ˆ †(x) ˆ †(y)V(x; y) ˆ (y) ˆ (x) (10) For the short-ranged interaction V(x; y) = V(|x−y|) ≡ V(r) = e2 exp(−r)=r find ˆ V in the momentum representation. The field operators and the creation/annihilation operators in the momentum representation are related in the usual way, i.e., ˆ †(x) = ∫ dp (2)3 a†(p)e−ipx (11) Note that the limit  → 0 recovers the Coulomb (long-ranged) interaction V(r) = e2=r. What is the Fourier transform V(q) of the Coulomb interaction? 2 Problem 5. The matrix elements of a two-particle interaction from the previous problem can be written as ⟨k3k4|V|k1k2⟩ = (2)3(k1 + k2 − k3 − k4)V(q) (12) where q ≡ k3−k1 is the momentum transfer. Show that the diagonal part of the interaction operator ˆ V found on the previous problem in the k-representation, arises from momentum transfers q = 0 and q = k2−k1. Write down the two interaction terms and identify them as direct (q = 0) and exchange (q = k2 − k1) interactions. Draw the corresponding Feynman diagrams. Problem 6. Find the first correction to the temperature dependence of the chemical potential  of the degenerate ideal electron gas, assuming constant particle concentration ⟨N⟩=V . Express the result in terms of T and the zero-temperature chemical potential ◦. For the calculations the following formula (we set kB = 1) can be used: I ≡ ∫ ∞ 0 f(“)d” e(“−)=T + 1 = ∫  0 f(“)d” + 2 6 T2f′() + O(T4) (13) 3

Course: PHYS 5426 — Quantum Statistical Physics Assignment #1 Instructor: Gennady Y. Chitov Date Assigned: January 15, 2014 Due Date: January 29, 2014 Problem 1. Prove [a; f(a†)] = @f(a†) @a† (1) [a†; f(a)] = −@f(a) @a (2) for arbitrary function f of operator which admits a series expansion. The Bose creation/ annihilation operators satisfy the standard commutation relations [a; a†] ≡ aa† − a†a = 1 (3) Hint: From Eqs.(1,2) one can figure out the corresponding commutation relations for the powers of creation/annihilation operators and then prove them by the method of mathematical induction. Note that for an arbitrary operator Aˆ: @A^n @A^ = nAˆn−1. Problem 2. In the presence of a constant external force acting on a one-dimensional oscillating particle its Hamiltonian becomes that of the so-called displaced oscillator, and the Schr¨odinger equation ˆH (q) = E (q) of the problem (cf. lecture notes) can be written in terms of dimensionless variables as ( − 1 2 d2 d2 + 1 2 2 − √ 2  ) () = ” () ; (4) where q = √ ~ m! and E = ~!”. a). Write the Schr¨odinger equation (4) in terms of the creation/annihilation operators of the harmonic oscillator ( = 0)  = √1 2 (a + a†) (5) d d = √1 2 (a − a†) (6) 1 Via a linear transformation to the new creation/annihilation operators ˜a†; ˜a preserving the bosonic commutation relations for ˜a†; ˜a map the problem (4) of the displaced oscillator onto that of a simple harmonic oscillator with new operators (˜a†; ˜a). b). Find the spectrum (eigenvalues) ” (E) of the displaced oscillator. c). Write the normalized eigenstates |n⟩ of the displaced Hamiltonian (4) via a† and the vacuum state |Θ◦⟩ of the new operators, i.e. ˜a|Θ◦⟩ = 0 (7) d). As follows from the completeness of the oscillator’s eigenstates, the vacuum state of the displaced oscillator |Θ◦⟩ can be related to the simple oscillator’s vacuum |0⟩ (i.e., a|0⟩ = 0) as |Θ◦⟩ = Ω(a†)|0⟩ (8) Find (up to a normalization factor) the operator function Ω(a†) relating two vacua. Hint: in working out Eqs.(7,8), employ Eqs.(1,2). Problem 3. Prove from the standard commutation relations ([ai; a † j ]∓ = ij , etc) that ⟨0|aiaja † ka † l |0⟩ = jkil ± ikjl (9) the sign depending on the statistics. Also calculate the vacuum expectation value ⟨0|ahaiaja † ka † l a† m |0⟩. Problem 4. In the formalism of second quantization the two-particle interaction term of the Hamiltonian for spinless fermions is given by ˆ V = 1 2 ∫ ∫ dxdy ˆ †(x) ˆ †(y)V(x; y) ˆ (y) ˆ (x) (10) For the short-ranged interaction V(x; y) = V(|x−y|) ≡ V(r) = e2 exp(−r)=r find ˆ V in the momentum representation. The field operators and the creation/annihilation operators in the momentum representation are related in the usual way, i.e., ˆ †(x) = ∫ dp (2)3 a†(p)e−ipx (11) Note that the limit  → 0 recovers the Coulomb (long-ranged) interaction V(r) = e2=r. What is the Fourier transform V(q) of the Coulomb interaction? 2 Problem 5. The matrix elements of a two-particle interaction from the previous problem can be written as ⟨k3k4|V|k1k2⟩ = (2)3(k1 + k2 − k3 − k4)V(q) (12) where q ≡ k3−k1 is the momentum transfer. Show that the diagonal part of the interaction operator ˆ V found on the previous problem in the k-representation, arises from momentum transfers q = 0 and q = k2−k1. Write down the two interaction terms and identify them as direct (q = 0) and exchange (q = k2 − k1) interactions. Draw the corresponding Feynman diagrams. Problem 6. Find the first correction to the temperature dependence of the chemical potential  of the degenerate ideal electron gas, assuming constant particle concentration ⟨N⟩=V . Express the result in terms of T and the zero-temperature chemical potential ◦. For the calculations the following formula (we set kB = 1) can be used: I ≡ ∫ ∞ 0 f(“)d” e(“−)=T + 1 = ∫  0 f(“)d” + 2 6 T2f′() + O(T4) (13) 3

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